neither savior nor survivor

neither savior nor survivor

6.19.19

for the womxn
who does not want
[to be] a hero.

you do not need [to be] one.

for the womxn
who will not
fight in public,
will not make
statements for the court,
will not let the burden of proof
bruise her more
than the battle over her body.

i see you.

for the womxn
who will never know
justice
because justice
is complicated,
is not clear-cut,
is not ex-boyfriends
behind bars,
is not strangers
on trial,
is not what
the law says.

i hear you.

for the womxn
who says she is okay
when she is most definitely not
okay,
i will feign ignorance,
if that is what you need.

i will never force you to admit
something you don’t want to,
never coerce you into
opening up your heart.

trust does not come
that easily.

for the womxn
who know all too well
what this poem
is about,
i will not pretend to know anything
except to know that
i will always believe you
because i know that you
believe me too.

– sister

a month is not equality.

a month is not equality.

i don’t recall when i
stopped saying
“girl”.

all i know
is i am a
womxn now.

not because i feel it,
but because
it’s what they see.

they treat me,
tear me,
rearrange me
into “woman”.

–am sometimes
“bitch”,
sometimes
“girl”.

never
human
or whole.

am told that because i am
womxn,
i am
worth
less.

and still,
I am expected
to go high,
to hold my head up.

as if I wasn’t fed lies
called
“equality”.

look.

if we were so equal,
why are we still raped by
the same mouths
that say
we’re revered?

if we were so equal,
why are our bodies legislated
rather than
loved?

if we were so equal,
why are we forced
to smile politely
and take unwarranted advances
as compliments?

the pain and triumph
of womxn
cannot be fixed to 30 days,
a month.

only in the west
do we try and
celebrate our
oppression
away.

if this is the equality
you give me,
i will tell you
to take it back–
that i will
rearrange it
like you rearrange me

–turn womxn’s history
into her story,
my story,
our story.

toastmasters

toastmasters

in fifth grade she stumbled in;
met blonde-haired,
blue-eyed
America.

traded calligraphic characters,
ink and brush,
for foreign-sounding syllables,
exchanging L’s and R’s
like she could trade her accent for respect.

changed her name to something more
pronounceable.
didn’t know that
her name wasn’t the only foreign thing about her.

fast forward years and lives and loves later.

she still stumbles,
catches herself,
but questions nothing.

she is told to make speeches,
writes the sentences herself,
recites words from memory;

asks for my help,
but she does not need it.

she knows
she does not need to sound perfect
to have something to say.

worlds.

worlds.

i imagine worlds
within worlds
where girls are whole;

where wood chips are the only things
that graze our knees
that scratch our skin
that break us open–
require us to become
bandaged.

where dizziness comes from spinning
in silly circles
eyes closed
mouths turned up,
smiles.

no hurt
no bottles
no smoke;
nothing we want to forget

i imagine a girl
in a world
who dreamed of love
and trust
and never questioned if she could be
whole again;

who never became disappointed
by how
human
it all is.

Happy TunesDay: Collection 37

Happy TunesDay: Collection 37

This week’s set is an ode to womxn-led bands & duos whose vocal prowess never fails to make me sing loudly along in my car…or weep emotionally next to a pile of warm laundry. The laundry thing doesn’t happen as often as you’d think though.

Growing up, I always wished I had a super silky, smooth singing voice. Unfortunately, it’s always sounded like scratchy, tone-deaf mush. But, that doesn’t stop me from trying to harmonize with these bad-ass ladies in my car and shower…and in the kitchen while I microwave rice.

Who were/are your favorite womxn vocalists? I’m always looking for recommendations to add to my collection, and let me know your thoughts on this week’s set!

with love & beautiful musical vibes,
Christina

Magic Mic: Why Do Womxn Never Have the Rights to Their Own Bodies?, or “What Happens in Vegas Definitely Does Not Stay In Vegas”

Magic Mic: Why Do Womxn Never Have the Rights to Their Own Bodies?, or “What Happens in Vegas Definitely Does Not Stay In Vegas”

Don’t get me wrong.  I love being a womxn and I am lucky that I have strong role models who taught me that being a womxn of color is beautiful and uplifting.  But, that does not mean that I don’t hate some of the things that come with being a womxn in this society.  These are things that combat our own identities as full, self-sufficient human beings, and ultimately undermine any sort of fight for equity in public spaces.

I think it is plain to see that we as womxn are often subconsciously, and sometimes very consciously, seen as objects or prizes to be won in chauvinistic expressions of dominance.  And let me say, it is exhausting to be both a human person with human emotions and an object at the same time.  It is a paradox I no longer want anything to do with.

Part of such a paradox is the age old male pastime of catcalling.  Can you just imagine how catcalling worked in the Shakespearean period? “Oh, wench, behold at thy forks!”** I don’t know if I’d laugh or just stare in confusion.   However, there are numerous, much more serious and well-written articles and videos about womxn getting catcalled.  I don’t think I have to write something else explaining how shitty it is.  A popular video campaign illustrated just some of the reactions men have when they see their mothers being catcalled on the street.  It’s shocking to me because you can see the discomfort for the men at watching their mothers objectified.  And yet, these men will never fully understand what it means to be living in a body coded as womxn.  Catcalling is just one awful side effect of such a truth.  And while catcalling is serious, disturbing, and oftentimes, fear-inducing, what happens when people go beyond verbal abuse and seep into the physical?

In Las Vegas, the “City of Sin”, the lines between catcalling and physical violations blur quite quickly.  The city’s motto of “what happens here, stays here” is an atrocious ploy to convince people of all genders that you can be on your absolute worst behavior and get away with it.  Now, maybe that’s a slight exaggeration, as I’m sure not all of Vegas is that terrible, but the essence of such an environment negates any real semblance of control a womxn has over her own space.  A person’s body, whether you identify as a womxn or not, should belong to you; you, and no other party, should get to decide what happens to your body.

Let me clarify for Las Vegas’s sake.  I do not think it’s wrong to go to a club, to want to dance provocatively or sexually.  Hell, I’ll admit that dancing around in sparkly outfits to R&B tunes is one of my favorite pastimes, minus the sparkly outfits, because glitter always gets on your face.

It is not wrong or unusual to dance with other people, if that is what you choose to do.  The key here is the choice.  Some womxn choose to grind up on other people or be grinded upon (I don’t really know the terminology), and they shouldn’t feel bad or feel the need to justify that choice.  When the dancing is a consensual act between people, it’s fun, albeit maybe a bit awkward if you’re not a great dancer.  But, when a person, usually a man, grabs your ass as you walk by or refuses to remove himself from your person, a part of your humanity as a womxn withers away.  You’re humiliated.  You think that this should have been anticipated in such a situation.  You lose the expectation of respect for yourself that you know you deserve.  And you’re reminded again that you are object, then womxn.  Never womxn by itself, period, end of story, human.

I will reiterate this as a reminder for myself and for womxn everywhere.  The location you are in has no bearing on whether it is okay or not for someone else to infringe on your space and your body.  Whether you’re in a club or in a pub eating burgers with your friends, it is never an okay thing for someone (read: a man) to implant himself, take up space, and prove his male dominance at your expense.  Being in Las Vegas or in any party-setting is not an excuse for them to “cut loose”.  If you’re a person who thinks it is okay to violate another’s space, to infringe on a womxn’s body in certain contexts, I don’t want you in my life in any context.

Because although I wish that what happens in Vegas would actually stay in Vegas, the dehumanizing, physically visceral experiences faced by womxn happens in rooms and on streets of every city in every part of the world.  We can no longer chalk it up to situational occurrences of bad judgement or issues of self-control.  Your body is yours and as a womxn, I will fight for our collective right to be safe and protected in our bodies, regardless of place.

 

**I literally typed “Oh girl, look at your legs” into a Shakespearean translator.  I’ll admit I spent a lot of time on it afterwards.
* Magic Mic background image from Make & Tell
Magic Mic: When [Immigrant] Womxn Are Loud and Unapologetic

Magic Mic: When [Immigrant] Womxn Are Loud and Unapologetic

I’m transfixed by a line I’ve seen drawn multiple times, in varied angles and tones, for girls and young womxn.  On one side, I have experienced countless examples of strong, multi-dimensional womxn who were and are vocal leaders.  But sometimes, those womxn also veer into the other side.  And why shouldn’t they?  They are human, after all.  But, it is troubling that the side that often wins out in times that matter is the one that tells us that our voice may matter, but it doesn’t matter quite as much as someone else’s [read: a man’s].  We are told more times than not to be strong, vocal, and fearless only to an extent–to not let our bravery and strong-will frighten or emasculate a man.  Because if our voices are too loud, they’ll be unappealing.  This has been reinforced in both subtle and very overt ways. It would be naïve of me to conclude that my cultural upbringing has no bearing on how such a paradox exists.  I feel like if I want to understand this constant struggle on a broader level, I then need to look internally and at my immediate surroundings.

As a child, I don’t recall a time when I was ever told by my parents that I couldn’t do something because of my gender.  They never said I couldn’t wear a certain color or do a certain activity or play with a certain toy because I was a girl.  And while they never sat me down and said outright, “Christina, you should be able to do or say whatever comes to mind because you are a smart, capable girl,”  they told me in little ways that what I thought and what I had to say mattered, even if I didn’t think it might.

This nurtured me into a pretty confident womxn.  Not to say I was or am fearless, because fear is a wonderful motivator.  But, I became motivated despite fear.  The womxn in my family taught me to be that way.  Not because they are self-proclaimed feminists, but because I think their very survival depended on their confidence and motivation.  Womxn, especially immigrant womxn, are taxed with an incredibly difficult responsibility to nurture, cultivate, and defend.  And they do all of this while instilling a strange sense of traditional patriarchy.  It is a constant source of confusion for me.

My maternal grandmother raised her children nearly on her own, coming to the US without her husband to raise my mother and her siblings.  She worked odd jobs, isolated and unable to speak English.  Her determination and tremendous sacrifices taught us all how important it is to value yourself, your family, and your education.  My mother was raised, essentially, in a very matriarchal household dominated by womxn.  And yet, despite such an upbringing and sense of strength, I believe that culturally, we were still taught that for womxn, speaking up too much or talking too loudly shouldn’t be done often, if at all.

When I visit home and see my grandmother, we can’t exactly understand each other due to language differences, but we understand our tone and we understand the past.  We talk about expectations, or rather she tells my mother about her expectations of me as a womxn and as a granddaughter.  In one instance, my mother translated that my grandmother said my voice was too loud–like thunder.  It would, in essence, detract the right kind of company.

And it’s funny to me, because here is this womxn who had to be thunderous and loud and prove to everyone that she could raise her children on her own and protect them from the perils of the world.  Several months ago, I would have taken much more offense to her remark.  But I think I get it.  She had to fight to be heard, to support our lives here, to just be.  She had to be this way in order for us to survive–why would she want that kind of fight for me?

But, what I think she and many other immigrant mothers and grandmothers fail to understand is that having a voice like thunder has helped us more than hindered, and it can continue to help us. We should never apologize for being loud, for protecting our right to be heard.  And although they fought and yelled to be heard, it doesn’t mean we have to stop there.  I don’t think womxn should just be heard.  We should be validated and consulted and included in everything having to do with us.  And maybe my grandmother is tired, as any womxn who has gone through her struggles might be.  But, her being tired motivates me even more to speak more loudly, more clearly, with more conviction.

So instead of thinking my thunderous voice is a weakness or a criticism, I will say thank you.  I will smile and tell my grandmother in broken Cantonese or via my mother that my loud voice is a tribute to her and the sacrifices she never wanted to make, but knew she had to.  And if she ever saw thunder* strike the sand, like in that scene from Sweet Home Alabama, she would know that womxn like us create beauty out of our strength and through our voice.  And that is not something I will ever want to change nor would I ever apologize for.

*technically in Sweet Home Alabama, it was lightning, but who’s really keeping track?